HAND-PAINTED CANVAS / INDIVIDUALLY FINISHED

No two marks
fall the same.

Layered colour, visible brushwork and a surface that changes with the light. A backdrop with enough character to belong in the photograph.

Explore the finishes
Portrait photographed against a deep blue-green hand-painted backdrop

A SURFACE WITH A SIGNATURE

Texture you can see.
Depth you can light.

Each canvas is painted by hand, building complementary tones into a surface that feels dimensional without competing with the subject. Move the light and the same backdrop can shift from quiet and tonal to rich and dramatic.

Blue-Grey hand-painted backdrop shown in a studio setting
Close-up of Blue-Grey hand-painted texture
UP CLOSEBLUE-GREY / IMPASTO

THE FINISH STUDIO

Find the tone.
Read the surface.

Select a finish to compare the full set view with the paintwork close up.

Because every backdrop is individually painted, colour and mark placement will vary slightly from the examples shown.

Dancer photographed against a dark hand-painted backdrop
Movement / tonal brown
Image courtesy of Paul Hassell

ONE SURFACE / MANY STORIES

Let the background
carry atmosphere.

Soft transitions keep a portrait timeless. Stronger texture catches sidelight and gives costume, beauty and editorial work a painterly edge.

Costume portrait against a dark green hand-painted backdrop
Character / dark green
Period character portrait against a warm brown hand-painted backdrop
Character / warm brown

BUILT IN LAYERS

Painted to react
to your light.

Broad tonal fields establish the mood. Smaller marks add visual depth. Raised impasto finishes bring genuine relief that becomes more apparent as light moves across the canvas.

  1. 01Base tone establishes the colour world.
  2. 02Layered marks break up flat, digital-looking colour.
  3. 03Directional light decides how much texture the camera sees.
Close-up showing layered brushwork on a green-brown hand-painted canvas
Hand-painted canvas installed on a background support with a studio chair

ON SET

Hang it.
Shape the fall-off.

Support the canvas across its full width and keep it taut enough for the look you want. Place the subject close for visible texture, or create distance and open the aperture for a softer, more abstract field of colour.

  • Use clamps on a stable background support
  • Roll rather than sharply fold for storage
  • Light from the side to reveal stronger relief
  • Allow more subject distance for a softer background
Explore background support

PORTRAIT / FASHION / EDITORIAL / FILM

A backdrop that
never feels flat.

Choose from subtle washes, tactile impasto and deeply layered colour—each one carrying the evidence of the hand that made it.

Explore the current collection